We are drawn to music that blends genres, bends expectations, and carries a strong artistic identity. Electronic music, art-rock, experimental pop, dark synth, cinematic soundscapes — if it lives somewhere between categories and refuses to play by the rules, we’re interested.
Fruit Hat Records believes music should be more than background noise. It should provoke thought, create atmosphere, challenge systems, and occasionally start a little trouble.
We are especially interested in artists who combine sound, visual art, storytelling, and concept into a larger creative vision. Music today is not just something you hear — it’s something you see, experience, and inhabit.
We are not chasing trends or algorithms. We are looking for artists with originality, imagination, and the courage to say something real.
If your music feels like it belongs in its own strange corner of the universe, we would like to hear it.
Absolutley NO AI tracks.
Fruit Hat Records is interested in:
• Avant-electronic and synth-driven music
• Art rock and experimental alternative
• Dark electronic / cinematic / conceptual work
• Genre-bending pop and electronic hybrids
• Artists with strong visual and artistic identities
We believe the most interesting music happens at the edges.
Arsenal of Democracy is a dark, politically charged album that reflects on the decline of ideals and the machinery of modern power. Through stark imagery and biting commentary, the songs explore propaganda, corruption, war, and the uneasy feeling that the systems meant to protect democracy have become weapons against it.
Energy Whores is a New York–based avant-electro project blending electronic, art rock, and synth-driven pop with sharp social commentary. Created by artist Carrie Schoenfeld, the music pairs hypnotic beats and cinematic textures with provocative lyrics about power, media, and modern culture.
Grant’s story begins in the quiet hours — not in the spotlight, but in the stillness where sound carries its full weight. An early encounter with Aphex Twin’s “4” cracked something open; later, the long-form storytelling of Sasha gave that spark direction. In that moment the idea took root: music could be architecture, and the DJ its quiet architect.
In 2010, he founded Union Jack Records. The label’s debut found its way onto a Balance compilation, earning recognition from the global circuit. Support from respected artists including Seth Troxler, Pezzner, Sasse, and Atish confirmed what had previously been instinct.
The years that followed were not a pause but a period of preparation. Grant’s work is a reminder that creative paths rarely move in straight lines. It’s never too late to begin — but the act of beginning is everything.